Monsters have been with us for a long, long time.
Some of them are very big.

Troy Harkin and David Clink will look at monster films, from some of the earliest to very recent ones, looking at the largest creatures that have stayed in our collective imaginations, while they spend some time at the cottage, enjoying the lake, and some beer.

And who will win, as the greatest of them all?

And who would win in a fight?
= = =
Godzilla
or
King Kong?
= = =
The woman from Attack of the 50 Foot Woman
or
the rabbits in Night of the Lepus?
= = =
Aragog, the spider in The Chamber of Secrets [Harry Potter]
or
Shelob. the spider in The Two Towers [Lord of the Rings]?
= = =
Troy and David do not ponder these questions.

But they do fend off forest critters as they pontificate about the giants from film, while downing some brewskies.

In 2019 a film was released called “MidSommar” and it caused quite a sensation. Ari Aster drew inspiration from the 1973 film, The Wicker Man. This film is part of the folk horror tradition.

Here is a bit that Troy put together about MidSommar (with key spoilers and plot points removed):

MIDSOMMAR (history)

Midsommar was written and directed by Ari Aster. It was released in 2019, and was the follow up to his highly-acclaimed debut feature film, Hereditary. Aster, who was hugely influenced by Swedish film legend Ingmar Bergman, was approached by Swedish producers to create a slasher film involving Swedish folk traditions. The director had recently dealt with the trauma of a breakup and found he could work through his pain by dealing with it in his screenplay for Midsommar.

Shot in Hungary outside of Budapest, not Sweden. The Horgan village was constructed from scratch for the film. 

The Film stars Florence Pugh as Dani Ardor, Jack Reynor as her boyfriend Christian.

Dani finds that Christian and his three friends Jack (played by Will Poulter), Josh, and Pelle  (all of them anthropology students) are planning on visiting the Swedish community, the Horga, that Pelle belongs to.

The five Americans make the trip to the rustic village and are welcomed into the community by the Horgans.

They soon discover that the community is not as idyllic as it seems. 

Time Out‘s Joshua Rothkopf wrote, “A savage yet evolved slice of Swedish folk-horror, Ari Aster’s hallucinatory follow-up to Hereditary proves him a horror director with no peer.”

“Ambitious, impressively crafted, and above all unsettling, Midsommar further proves writer-director Ari Aster is a horror auteur to be reckoned with.” – Rotten Tomatoes

Troy Harkin and David Clink will look at the film, with special guest Sandra Kasturi. She was also the guest for folk horror part 1, our season 3 episode 2 installment, which looked at The Wicker Man (1973).

Sandra Kasturi is an award-winning poet, writer, and editor, with work appearing in many places including ON SPEC, several Tesseracts anthologies, and 80! Memories & Reflections on Ursula K. Le Guin.

Her two poetry collections are: The Animal Bridegroom (with an introduction by Neil Gaiman) and Come Late to the Love of Birds (both from Tightrope Books).

Sandra recently won second prize in The New Quarterly’s Nick Blatchford Occasional Verse Contest. She is also the winner of the Sunburst Award for her story “The Beautiful Gears of Dying” and ARC Magazine‘s Poem of the Year Award for “Old Men, Smoking.”

In 1973 a film was released called “The Wicker Man.”
In this podcast episode, we look at folk horror in general and The Wicker Man in particular.

This is from Troy Harkin’s introduction:

FOLK HORROR (Intro)

Man loves order. Moreover man loves the order that he cultivates.

As much as we claim to love the great outdoors we love a garden even more because we are the ones who dictate the order. We fear the wilderness. We fear the threat of the untamed. Because we want to see ourselves as enlightened, and civilized, we fear our pagan roots.

Folk Horror explores these fears. Often it examines a return to ancient rites and rituals that for the most part have been forgotten. But Folk Horror reminds us we can never truly leave our past behind. 

In his series The History of Horror, Mark Gatiss refers to the Unholy Trilogy of British Horror. These three films include Witchfiner General from 1968, The Blood on Satan’s Claw from 1970, and 1973’s The Wickerman.

THE WICKER MAN (history)

Inspired by David Pinner’s 1967 novel, Ritual, The Wickerman is ostensibly a detective story about a devout Christian police officer who is searching for a missing girl on Summerisle, an island off the west coast of Scotland, a community that is sustained by its production of apples. The Island is ruled by Lord Summerisle played by Christopher Lee. Police Sergeant Howie is played by Edward Woodward.The film features supporting actors Ingrid Pitt and Britt Eklund as well as actual Scottish locals as the inhabitants of Summerisle.

In the book 1001 Movies You Must See Before You Die, The Wickerman is described as “a highly original combination of horror movie, murder mystery, pagan ethnography, and folk musical…”

Cinefantastique once described it as “The Citizen Kane of horror movies”., 

Total Film magazine named The Wicker Man the sixth greatest British film of all time. 

Christopher Lee considers The Wicker Man the best film he ever appeared in.

Troy Harkin and David Clink will look at the film, with special guest Sandra Kasturi. She is also the guest for Folk Horror part 2, which will look at MidSommar (2019).

Sandra Kasturi is an award-winning poet, writer, and editor, with work appearing in many places including ON SPEC, several Tesseracts anthologies, and 80! Memories & Reflections on Ursula K. Le Guin.

Her two poetry collections are: The Animal Bridegroom (with an introduction by Neil Gaiman) and Come Late to the Love of Birds (both from Tightrope Books).

Sandra recently won second prize in The New Quarterly’s Nick Blatchford Occasional Verse Contest. She is also the winner of the Sunburst Award for her story “The Beautiful Gears of Dying” and ARC Magazine‘s Poem of the Year Award for “Old Men, Smoking.”

Season 3!!!
First Episode!

Bruce Willis has been in so many science fiction, fantasy, and horror films, that it is hard to keep track.

Here are a few, not a complete list
(Movie <character> year [IMDB rating]:

Glass <David Dunn> 2019 [6.6]
Sin City: A Dame to Kill For <Hartigan> 2014 [6.5]
G.I. Joe: Retaliation <General Joe Colton> 2013 [5.8]
Moonrise Kingdom <Captain Sharp> 2012 [7.8]
Looper <Old Joe> 2012 [7.4]
Surrogates <Greer> 2009 [6.3]
Planet Terror <Lt. Muldoon> 2007 [7.1]
Grindhouse <Muldoon> 2007 [7.5]
The Astronaut Farmer <Col. Doug Masterson> 2006 [6.3]
Sin City <Hartigan> 2005 [8.0]
Unbreakable <David Dunn> 2002 [7.3]
The Sixth Sense <Malcolm Crowe> 1999 [8.2]
Breakfast of Champions <Dwayne Hoover> 1999 [4.5]
Armageddon <Harry S. Stamper> 1998 [6.7]
Mercury Rising <Art Jeffries> 1998 [6.1]
The Fifth Element <Korben Dallas> 1997 [7.7]
Twelve Monkeys <James Cole> 1995 [8.0]

Troy Harkin and David Clink will look at Bruce Willis’ genre films, and talk about the enduring legacy that he has left us, in the wake of his announcement in late March 2022 that he is retiring as an actor.

NOTE: The idea was that Troy and David would release this episode in the Summer of 2022, and their discussion during the episode relates that. But they are releasing it as their first episode of season 3.